List Of Unlicensed High School Radio Stations

List Of Unlicensed High School Radio Stations – “Community-based broadcasting, where local people produce and present their own programmes, promises to be the most important new cultural development in the UK for many years.”

Before another word is said, we want to warn you: community radio gets into your blood. Like a foreign parasite, an itch that requires constant scratching can stay there. Draining your last drop of energy, waking you up in the middle of the night, dragging you out of bed and turning your hair gray. So why on earth should one do this?

List Of Unlicensed High School Radio Stations

We think you should because it allows your community to transform itself, connect with itself, realize its full potential.

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We think you should because it’s a lot of fun. Not only can you do radio like no other, but it’s incredibly satisfying to help change your community while doing it.

We think you should do it to express yourself and fulfill yourself. To encourage yourself and involve yourself. Do it for the memories, do it for fun. Make it visible to people when you explain it to them and go, ‘Look!’ Make it fly by your bootstraps for the fun, for the hustle, for the immediacy, for the buzz.

Community radio is a career that has the unique potential to change your life. And like any such odd job, it can completely ruin your life.

You probably have to be a little nuts to even think about starting a community radio station. We hope this book will help you keep it that way.

Unlicensed Grove Hall Radio Station Shuttered

On Christmas Eve 1906, Reginald Fessenden sat in front of a microphone in Massachusetts to play the violin and read from the Bible. It was the first successful audio broadcast and the implications were startling. Anyone with the right basic technology had the power to send information, opinion, entertainment and culture directly into people’s homes. Unsurprisingly to some, governments quickly established a strong grip on the airwaves and have maintained it ever since.

But the magical particles we call radio waves are a gift to the world. Should government and business be protected? Activists on the streets of the world demanded their right to access the airwaves. Community radio was at the forefront of revolutionary struggles, with broadcasters seriously dedicating their lives to delivering their message to their people. It emerged as unlicensed pirate radio, giving voice to underrepresented communities in the world’s slums, barrios and ghettos.

Although there are many disputed claims, it is widely accepted that the first community radio stations appeared in Bolivia around 1947 during a tin miners’ strike. We provide association members and their families with exposure and opportunities for social benefits – a now familiar formula. Over the next forty years, these sites (and others in Latin America) were regularly persecuted, arrested and disarmed by the authorities, a measure of the power of the media.

Meanwhile, the California Pacific Foundation In 1950 he established the first US ‘listener-sponsored’ radio station – a variation on community radio that is still very common in North America today. From this beginning, interest in community radio began to take root around the world. In the years Between the political extremism of the 60s and 70s, community radio activists lobbied for the airwaves in developed countries through legal lobbying and illegal broadcasting.

Licensed Vs Unlicensed Spectrum

Australia – with a small and scattered population and local commercial or public distribution in many areas – began licensing community sites in 2011. Although sites are now spread across South Africa, Vietnam, India, the Philippines and beyond, growth in Africa and Asia has been slow.

Although the nature of community radio varies greatly from country to country and station to station, some elements are consistent almost everywhere. Community radio, everywhere in the world, is committed to:

“My advice to anyone entering community radio is not to start from scratch. Look at what’s happening in other countries, see how they’re doing. There are years and years of experience internationally, but it’s very early here .Listen to their broadcasts, watch their programmes, don’t sit here and feel you have something to draw from – there are plenty outside the UK.

The role of pirate broadcasters such as Radio Caroline and Radio Luxembourg in pushing the development of mainstream radio is well documented. In short, they provided the blueprint for BBC Radio 1 and many of the commercial stations we listen to today. These business-minded ventures have nothing to do with community radio as we know it. But since the 1960s, much less has been written about the small local pirate stations that operate around cities and suburbs. The true pioneers of modern community radio are these stations, driven by the love of radio and the need for community broadcasting. As time passed and wisdom accumulated, many activists began to see the benefits of working with, rather than against, legal broadcasting tools. The push for legal recognition in Britain was led by the Community Radio Association (now the Community Media Association), which was formed in 1983 with the BBC and commercial stations to campaign for third level broadcasting. The CRA included veterans of many unauthorized sites, as well as academics, community activists and other experienced campaigners.

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Over the last twenty years, the sector has defied obstacles and opposition by patiently prodding wary governments and power brokers. The Radio Authority regulators (then) usefully identified a range of frequencies that could be used for this purpose. The culmination of these negotiations was incorporated into the Communications Act 2003 and the Community Radio Order 2004, which established the final full-time community radio licence. and long term in the UK.

In the process, the British community radio sector negotiated with government regulators to reach a broad consensus on what community radio should be. In its simplest form, it has two important characteristics.

A station is not a community radio station if it is operated for profit or imposed on the outside community. Community radio should also serve two main functions:

A radio station is not a community radio station if it does not reach voices that are not represented elsewhere and if a station does not provide a practical benefit to the community.

Motorola Clr Pmr446 Unlicensed Two Way Radio

“Community radio is a new radio station that focuses on providing unique social benefits to enrich a diverse community or audience in a small geographic area.”

“Community radio is proposed as a new level of highly localized, non-profit radio (or non-profit broadcasting). It should be separate and complementary to the existing independent local radio. Community radio offers potential benefits in terms of social inclusion, local education, training and experience as well as wider access to community broadcasting opportunities.

It is also worth emphasizing that a community radio station, as we understand it, operates within the law and with the authorities. Unlicensed piracy sites can provide access to marginalized people, and in some cases provide social benefits to their communities. But the sad truth is that the possession and detention of radio station equipment is a daily threat and cannot be sustained. Therefore, we strongly recommend that you familiarize yourself with any unlicensed transmitter reading this. The reward is unlimited.

At its simplest, society is a group of people with a common interest. That interest could be their area of ​​residence, their religion, their age, their heritage, their lifestyle, their hobbies, their occupations or any combination of the above. In the year The 16 pilot community radio stations that went on the air in 2002 reflected a wide variety of what we might call ‘community’ (see below). Elderly, youth, urban, rural, Christian, Muslim, Asian, African-Caribbean and arts groups are all recognized.

History Of Radio

All FM – Covering Ardwick, Longside and Levenshulme in south-central Manchester. This is a multifaceted area with poverty, ill health, inadequate health care, social exclusion, crime, drug and addiction, youth disorder and gang culture. It is home to many refugees, asylum seekers and recent immigrants from countries such as Somalia and Eastern Europe. A popular slogan throughout FM is ‘one station, many countries’. It also has a high social diversity: widespread literacy problems accompany many students and graduates, and the area has strong traditions of small business development, creative participation and community. Movement. In its first thirty months, ALL FM brought over 200 volunteers and 2,000 local guests online. It has more.

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